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"Oh, you are incorrigible!" says Doatie, leaning back in her chair in turn, and tilting backward her little flower-like face, that looks as if even the most harmless falsehood must be unknown to it.,Indeed, it is probably a fear lest she shall deem them unduly elated that causes them to hesitate before running to greet her with their usual demonstrative joy. Then politeness gets the better of pride, and, rising with a mighty effort, they stretch themselves, yawn, and, going up to her, thrust their soft muzzles into her hands and look up at her with their great, liquid, loving eyes. They rub themselves against her skirts, and wag their tails, and give all other signs of loyalty and devotion.,She sighs. There is pathos and sweetness and tenderness in every line of her face, and much sadness. Her lips are slightly parted, "her eyes are homes of silent prayer." Paul, watching her, feels as though he is in the presence of some gentle saint, sent for a space to comfort sinful earth.,Nolly regards her mournfully.,"Answer me," persists Mona, not heeding—nay, scarcely hearing—his last speech. "You said once it would be difficult to lie to me. Do you know anything of this missing will?","Poor girl! I feel honestly sorry for her," says Jack, with a mild sigh. "What an awful ass he has made of himself!","Mona, it is not—it cannot be—but is it?" asks he incoherently.,As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.,She excuses her unwonted drowsiness with a little laugh, natural and friendly, and begs them "not to betray her." Clothed in all this sweetness she drops a word or two meant to crush Mona; but that hapless young woman hears her not, being bent on explaining to Mrs. Carson that, as a rule, the Irish peasantry do not go about dressed only in glass beads, like the gay and festive Zulus, and that petticoats and breeches are not utterly unknown.,"I don't think you can make an inquiry about the bygone days of chivalry," she says, somewhat stiffly, and, having shaken the hand of her bewildered friend, and pecked gently at her cheek, she sails out of the room, disheartened, and wounded in spirit.,"No," says the boy valiantly; but he looks hungry, and Geoffrey's heart smites him, the more in that he himself is starving likewise.,"A nice time to offer such advice as that," says Rodney, moodily. "But I shan't take it. Mona,"—seizing her hands and speaking more in passionate excitement than even in love,—"say at once you will keep your word and marry me.".